AIC's 43rd Annual Meeting has ended

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AIC's 43rd Annual Meeting

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8:30am EDT

(Opening Session) Welcome and Awards Regency Ballroom

8:50am EDT

(Opening Session) The False Dichotomy of “Ideal” Versus “Practical” Conservation Treatments Regency Ballroom

9:00am EDT

(Workshop) Respirator Fit Testing AppointmentsLIMITED Pearson I

9:10am EDT

(Opening Session) The Theory of Practice: Practical Philosophy, Cultures of Conservation and the Aesthetics of Change Regency Ballroom

9:30am EDT

(Opening Session) Turning Philosophy into Practice; Documenting Process through White Papers Regency Ballroom

10:00am EDT

Exhibit Hall Break Riverfront Hall

10:30am EDT

(Opening Session) Philosophical and Practical Considerations in the Installation, Re-treatment, and Storage of a Rubber Sculpture by Richard Serra Regency Ballroom

11:00am EDT

(Opening Session) Making Conservation Work Onsite: Practical Problem Solving at El Kurru, Sudan and Abydos, Egypt Regency Ballroom

11:20am EDT

(Opening Session) Concrete Conclusions: Surface Treatment Trials for Conserving the Miami Marine Stadium Regency Ballroom

11:40am EDT

(Opening Session) Open Discussion Regency Ballroom

12:00pm EDT

(Private Practice + Health & Safety) Luncheon: Studio Design Challenges: Creating a Safe and Practical Space Jasmine

2:00pm EDT

(Architecture + Wooden Artifacts) Furniture/Interiors Conservation Training in China Jasmine (Book and Paper) The Brut Chronicle: Revived and Reconstructed Tuttle/Monroe (Collection Care) The Preservation Self-Assessment Program: A New Tool for Preservation and Conservation Prioritization Hibiscus (Electronic Media + Objects) Artist Intentions and the Conservation of Contemporary Art Ashe Auditorium (Paintings + Research and Technical Studies) A Hidden Blue Period Portrait by Pablo Picasso and the Alteration Mechanisms of Cadmium and Arsenic Sulfides: Synchrotron-Based Methods for the Interpretation and Preservation... Brickell/Flagler (Photographic Materials) Organizing a Photograph Preservation Workshop in West Africa Orchid B-D (Textiles) The Effect of Light Emitting Diode Lamps (LEDs) on 19th century Dyed & Printed Cotton Fabrics Miami Lecture Hall

2:30pm EDT

(Architecture + Wooden Artifacts) Analyses of the architecture of wooden churches from Buzău county, Romania Jasmine (Book and Paper) Understanding and Preserving the Print Culture of the Confederacy Tuttle/Monroe (Collection Care) Pathways for Implementing a Successful Passive RH Microclimate Hibiscus (Electronic Media + Objects) The Artists’ Dialogues series: exploring materiality, process, and conservation with artists from Los Angeles Ashe Auditorium (Paintings + Research and Technical Studies) Franz Kline’s Paintings: Black and White? Brickell/Flagler (Photographic Materials) Treatment of George Keyt's Stained Glass Mural Cartoons- Oversized Drawings and Photographs Orchid B-D (Textiles) Lights, Camera, Archaeology: Documenting Archaeological Textile Impressions with Reflectance Transformation Imaging (RTI) Miami Lecture Hall

3:00pm EDT

(Architecture + Wooden Artifacts) How to Salvage your Historic House Museum after a Car Crash; The Marrett House Emergency Preservation and Conservation Project Jasmine (Book and Paper) The Book as Art: Conserving the Bible from Edward Kienholz's The Minister Tuttle/Monroe (Collection Care) Continuing to Care: Transitioning Connecting to Collections to Connecting to Collection Care Hibiscus (Electronic Media + Objects) From Theory to Practice: Instituting the Hirshhorn Artist Interview Program Ashe Auditorium (Paintings + Research and Technical Studies) Something rich and strange: The conservation and study of Jackson Pollock's Sea Change. Brickell/Flagler (Photographic Materials) Conservation versus Historicity: a necessary reconciliation for the intervention in the photographic collection of Frida Kahlo Orchid B-D (Textiles) Documentation, Restoration And Display Of A Xvii Century Copy Of The Holy Shroud, In Argentina Miami Lecture Hall

3:30pm EDT

Exhibit Hall Break Riverfront Hall

4:00pm EDT

(Architecture + Wooden Artifacts) Complex Problems, Realistic Solutions: Devising a Treatment for the Sculpture of St. Paul on St. Paul’s Chapel, New York City Jasmine (Book and Paper) Cross-Disciplinary Uses for Gellan Gum in Conservation Tuttle/Monroe (Collection Care) Conservation Case Building at Field Museum Hibiscus (Electronic Media + Objects) Beyond the interview: working with artists in time-based media conservation Ashe Auditorium (Paintings + Research and Technical Studies) Investigating softening and dripping paints in oil paintings made between 1952 and 2007 Brickell/Flagler (Photographic Materials) The Long-Term Permanence Behavior of Photographs and Fine Art Prints Made with Large-Format Flatbed Printers Using UV-Curable Pigment Inks Orchid B-D (Textiles) Breaking Canvas: A Case Study on a French Embroidery Miami Lecture Hall

4:30pm EDT

(Architecture + Wooden Artifacts) The Salon Doré from the Hôtel de la Trémoille: Conservation of the 18th Century gilded boiserie Jasmine (Book and Paper) Confidence in the Bath Tuttle/Monroe (Collection Care) Beyond 'No Food or Drink Allowed in the Gallery:' Best Practices for Food in Cultural Institutions Hibiscus (Electronic Media + Objects) Preserving what is right: learning the ethics and similarities of collaborating with a living artist and Buddhist monks. Ashe Auditorium (Paintings + Research and Technical Studies) Overview of the CCI Lining Project: Do Linings Prevent Cracking and Cupping in Paintings? Brickell/Flagler (Photographic Materials) Object:Photo - A Presentation of Deep Data from the Thomas Walther Collection Project at The Museum of Modern Art Orchid B-D (Textiles) A Turkish Kilim: Analysis, Stabilization and Loss Compensation Miami Lecture Hall

5:00pm EDT

(Paintings + Research and Technical Studies) A Science/Conservation Collaboration: The Introduction of New, Low Molecular Weight Resins Brickell/Flagler (Architecture + Wooden Artifacts) Use of astringent persimmon juice as an alternative wood preservation treatment Jasmine (Book and Paper) Foxing and Reverse Foxing: Condition Problems in Modern Paper and the Role of Inorganic Additives Tuttle/Monroe (Collection Care) Conservation: Social Good or Prevention of Harms? Hibiscus (Electronic Media + Objects) Discussion moderated by Jill Sterrett Ashe Auditorium (Photographic Materials) Photography-painted. Problems and solutions in handling, display and storage. Orchid B-D (Textiles) SEEING THE LIGHT: CONSERVATION AND EXHIBITION OF A 1980S DAY-GLO PAINTED LEATHER JACKET Miami Lecture Hall

5:15pm EDT

(Paintings + Research and Technical Studies) Educating Handheld XRF Users in Cultural Heritage: XRF Bootcamp for Conservators Brickell/Flagler

5:30pm EDT

(Book and Paper) BPG Wiki Hack Tuttle/Monroe

7:00pm EDT

Opening Reception History Miami